Making a car ad
How do they make car ads?
Manufacturers put a lot of thought and millions of dollars into advertising their cars to potential customers.
Behind any new television ad there are hefty marketing research reports to be read, surveys of customers and lengthy discussions around big tables by senior managers. Finally, the marketing team comes up with a story designed to appeal to the people they believe will want to drive their new vehicle.
All this builds on decades of marketing to build up the personality of the brand in the minds of consumers.
Kiwi director
For internationally renowned director Mark Toia, a great ad starts with a great idea.
The New Zealand-born director is now based in Brisbane and travels the world for up to nine months a year making corporate advertisements.
Recently he was in Queenstown, filming the latest global ad for Isuzu's 2016 D-Max.
"I shoot in Queenstown once or twice a year" he says – it has great locations close to the town, lots of talented people to make up a crew and any equipment we need is all here".
"For the D-Max ad it's all high adrenaline stunts and action using bikes, jetskis, a guy in a wingsuit and, of course, fabulous background scenery."
Tough, durable, safe and fuel efficient – these are the elements of the Isuzu D-Max personality that has been created over the past few years.
This latest global television ad is designed to accentuate the emotional connection between customer and ute.
Add drama
It is music, drama and the story line that makes the emotional connection, explains Mark. For this ad, the story is based on matesship and it links the D-Max to friends sharing thrills.
"So, we've put in the big stunts to get people's hearts racing. The music has been specially composed and will be cut to fit the action and grab peoples attention."
The ad was filmed over three days, with the crew of about 25 – which is pretty small.
"It's all relative to the amount of equipment you are using" explains Mark – "more equipment means more people. More people means the process slows down."
The days are long, often starting before 6am and ending well after dark when filming may be over but plans need to be made for the following day.
The logistics are complicated – the hero vehicle must be transported by truck between locations, and so must the crews. Everyone needs to eat regularly and the cameras and other equipment must be protected from the elements and from damage.
AND ACTION!
Director Mark Toia says it's tough to be original in a car commercial.
"Over the past 50 years there have been thousands and thousands of car ads, so it's hard to have a unique execution. You also have clients who show you an ad and say they want one like this. And if you do come up with something original, the client wants to see a reference to something like it."
Generally, the clients have a script by the time they come to Mark Toia and his company, Zoom Film and Television.
"It's rare to get a chance to be creative, like I have been able to be with this Isuzu commercial. If they have a tight script it's all down to making sure you show enough of the car, have you got the electric mirrors in and there's no time to make an emotional connection."
Mark doesn't make many car commercials these days, concentrating more on big corporate branding projects.
He started his working life as a boiler maker but his hobby as a photographer soon took over his life.
"I started in a news agency and magazines and then opened my own advertising agency".
His break into film came with a commission from Yamaha Motors, who asked him to do their TV commercial.
Within a few years he had won Australia's top cinematographer and director awards.
But a piece of his heart still belongs in New Zealand and to Queenstown.
"I want to spend more time over here."
Making the car look good
When making a car television ad, the driver is never referred to as a 'stunt' driver. It's all about precision and care. For the recent shoot in Queenstown for Isuzu’s D Max 2017 this shoot it was well-known motorsports competitor and Queenstown local Grant Aitken. Grant has been precision driving for movie and advertising production companies for the past 20 years.
"I was asked by a local guy if I would drive a BMW X5 for a TV commercial. They put me in a car, gave me a radio and said 'Do what you're told'. Everyone was rushing around and a guy said 'Action!'. I laughed and thought it was just like the movies, then someone came up and said 'Thats you'."
Some of the simplest pieces of driving are the hardest – for instance driving up to a set point and stopping the wheel at the exact place that will display the brand name at its best.
Grant has driven in movies such as The World's Fastest Indian, doubling for Sir Anthony Hopkins.
For most ads, you never get to see Grant do his thing. The windows of these cars are generally tinted fairly dark, so you don't see the driver.
Glory days
The boom years for car advertising were the '80s and '90s. It was during this time Grant set up Picture Vehicles, a company that specialised in transporting and looking after vehicles for filming. This included supplying the precision drivers.
"I sold it in 2008 and up until then, we were doing up to 40 commercials a year."
He's driven in over 200 commercials. "I've enjoyed the jobs that have been really challenging and tough. We had a couple of hairy ones over Skippers Pass and there were occasions when I have said said, 'Stop, it's just a commercial, I'm not prepared to put anyone at risk'. We're often using pre-production cars and they are not always complete and you sometimes find out important parts like the brakes aren't actually up to expectations – that can make you pucker up". Other things can go wrong too.
"We were filming a car on the Coromandel on a closed road. It was an American commercial so I was driving on the wrong side of the road. I'm barrelling through at high speed and then there's a Girl Guide group coming down the track!"
Go for your life
One of Grant's fondest memories is being let loose with a Hummer. General Motors shipped out five of the H2s with the intent of shooting file footage for future ads.
"So there were three or four of us driving them around the country, across the snow, through rivers, up mountains and so on. They gave us two weeks and basically told us to go for your life, we're going to shoot the shit out of them".
The director said he'd be surprised if we didn't write at least one off. So there we were with a helicopter. We shot day in and day out, it was great fun".
Sadly, the footage never saw the light of day as far as Grant knows. This was back around 2005, about the time when oil prices were rising and the market for big vehicles took a dive. The last Hummer was made in 2010.
Another commercial Grant drove in never saw the light of day either.
"It was shot for a Chrysler and they wanted to show off the two sun roofs it had. So they were going to pretend the car could go underwater and the children in the backseat could look up through the sunroofs. So we went down to the sea, backed it into the breakers. I was waiting for the action call so I could emerge from the surf, which would be the shot showing the car emerging from underwater. We started floating, the talent was next to me asking what would happen if the waves made us roll, and then eventually the waves smashed the back window..and cut!".